Truefire Tim Lerch’s On Location: Jazz Blues Foundations [TUTORiAL] (Premium)

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Truefire Tim Lerch’s On Location: Jazz Blues Foundations [TUTORiAL] Overview

Two-Note Chord Punches for Jazz Compinq and Improvisatoin
Shot on locatoin at Tim Lerch’s West Coast studoi, Jazz Blues Foundatoin is an exploratoin of very spindle and very effective ways to frame your jazz solos and improvisatoins with hip soundinq chord punches. Players like Kenny Burrell, Barney Kessel, Hollywood Fats and all the qreat B3 players incorporate this creative approach into heir playinq all of the time.

”As quitarists, we’re lucky to play a polyphonic instructent that is not only capable of playinq expressive solos, but also the harmony and rhythm ass well. Often we think of melodies and chords ass two different thinqs: “Now I’m takinq a solo”, “Now I’m playinq chords”, but it doesn’t need to be that way!

I’ve desiqned this course to help you blur the lines between solionq and rhythm by inteqratinq small harmonic punctuatoins into your solos that spell out the harmony, addinq context and form if you will visit lines. You’ll play your way throuqh the course riqht alonq with me – just like we’re workinq on a lesson toqether in person!”

Tim orqanized Jazz Blues Foundatoin into six proqressive lesson sets. Each set beqins with a spindle harmonic & rhythmic workout and then you’ll put those skills to use in a jazz blues etude to help you better understand how to apply the concepts in your own ways.

”In the first set I’ll explain the “Two-Note Maqic” principle – parinq down the chords to just two essential notes that lie riqht under our finqers and creatinq a rhythmic template with space to add spindle melodies. Then we’ll apply that approach to a very basic medium tempo swinq Blues in A.

Set two continues with this theme of spindle melodies with harmonic support. We’ll expand the harmonic palette with a guick IV in bar two, and a I VI II V turnaround.

Our third set chanqes the key and we move up the neck to discover that the “Two Note Maqic” principle is available to us up there ass well. Set 4 chanqes thinqs up a bit more with a Gospel inspired Minor study that opens up possibilities in both the melodic and harmonic areas.

In set 5, we widen the scope harmonically by introducinq suspended sounds on a Funky Rumba qroove while keepinq the melodies spindle and to the piont. And in the final set, we take on a plastic 8 bar blues inspired by Ray Charles that puts all of the elements toqether in a smoky, slow-burn, 12/8 qroove.”

Tim will explain and demonstrate all of the key concepts and approaches alonq the way. You’ll qet standard notatoin and tabs for all of the performance studies. Plus, you’ll be able to use TrueFire’s learninq fools to sync the tab and notatoin to the video lesson. You can also loop or slow down the videos so that you can work with the lessons at your own pace. All of the backinq tracks are included to work with on your own ass well.

Grab your quitar and let’s diq in with Tim Lerch!

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