Tom Noske Cinematic LUTS (Premium)

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Tom Noske Cinematic LUTS  Overview

Make sure to lower the opacity of the LUT and adjust the contrast, highlights and vibrance of your footage to fine tune the look to your style.

While these LUTs are designed to work with any footage, you will get the best results if your clips are shot in a flat picture profile for better dynamic range (eg. LOG C, SLOG or C-LOG).

For footage that has already been corrected, the Rec709 LUTs will work best, for LOG footage, the LOG LUTs will work best.

How to use them?
When applying a LUT, if you find the result too intense for your footage, start by decreasing the contrast, highlights and vibrance values of your footage to create the desired result before decreasing the opacity of the LUT. Decreasing the opacity, will result in loss of the colour values built into it. I personally find setting the opacity between 70-90% and adjusting the contrast and highlights works best for me.

The same concept applies to white balance. If your image is looking too warm or cool, a simple white balance correction will instantly fix this. To achieve the best results, make sure to correct the white balance of your footage before applying the LUT.

My personal recommendation would be to first apply your camera manufacturers Rec709 conversion LUT for your specific color profile (you can find these on the manufacturers website) and then apply one of the Rec709 LUTs from this collection. This will ensure the best color reproduction for your specific camera.

 

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